Another Good Friday In Derry

 

My good friends The Gatefolds, I only used to know the bass player but now I’ve had the pleasure of meeting those other 3, took their place on the bill at Sandinos regular “The Long Good Friday” shindig which, for 10 years now, kicks off Derry’s Easter musical weekend. The ‘Folds ended 2015 on a high, playing before their biggest audience yet when supporting hometown heroes the Undertones on their Xmas return to the city.

 

 

 

I’m told that Sandinos, a friendly, funky rock & roll bar, an essential pit-stop if you are ever lucky enough to visit Derry, was rammed for the evening. “Reason” is a new song, more punchy pop-psyche, great guitar/vocal interplay from Jason & Fergal  with drummer Sean giving it plenty. In the Gatefolds’ style the song is tight, energetic, no fol-de-rol or gasconade (that’s a real word !). I’m loving it. Thanks again to documentarist Jim Cunningham for pointing his camera in the right direction.The band have been busy in the studio finessing a new CD single. I have an early version of the 2 songs which sounds fine but if you’re gonna do it, do it right, they hope to have it available in mid-April. I receive regular musical care packages from the guys & if the next one includes a demo of “Reason” then that would be a lovely bonus.

 

 

Headlining “The Long Good Friday” were the Bonnevilles, a guitar/drums duo from 70 miles up the road in Lurgan. Andrew McGibbon (voice/guitar) & Chris McMullan (drums) make a mighty Garage Blues noise. This month sees the release of their 3rd LP, “Arrow Pierce My Heart”, their first for 4 years. Alive Records have made 4 tracks available on the Y-tube (a tough call which to feature here) but be careful, if you give any of them a listen then you will have to hit up the Bonnevilles’ website to find out how to buy the whole thing. It’s inevitable that their line-up invites comparison with the Black Keys. If that’s got to be done then it’s the early Keys, y’know, when they were good. Myself I’m hearing the rawness & drive of those 90s Fat Possum LPs from R L Burnside with added power & drama. The Bonnevilles are sure to be gigging far & wide in support of “Arrow…”. If you are lucky enough to be in the right place at the right time then you will know about it.

 


<p><a href=”https://vimeo.com/157999567″>Kick Out The Jams: Lady J</a> from <a href=”https://vimeo.com/northernvisions”>Northern Visions NvTv</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

 

Now this is another drop of the good stuff. In 2015 Lady J released an LP that is still played regularly around here. In September I caught the band playing live & it wasn’t just the guitar, bass & drums, turned up to 11, that shook the walls of the club. Singer Jeanette Hutton is a rocker through & true. She thrives on having that big noise behind her & has the power to ensure that she is heard over it. Earlier this month 3 of the 4 members of the band visited Northern Visions TV in Belfast to record an acoustic session. Drummer Little Hooks switched instruments to provide, with Marty McGill, a double guitar accompaniment to 5 of the songs from the record. It’s a pleasure to have such a high quality capture of the set. The songs are strong enough to be stripped back & even though Jeanette is seated she still delivers her lyrics with impressive power. Unplugged ? I don’t think so.

 

I’m back in Derry at the end of April for more musical adventures, meeting up with new & old friends. It’s Gonna Happen…can’t wait.

Well, This Happened (Best of 2015)

My favourite musical memory of 2015 happened 3 months ago & I intended to include it here before now. It was a gig I didn’t want to miss & it became an epic 4 day adventure (man, I needed a holiday !).  The connections I made with old & new friends were forged in music but this was more than a good night out. Any road up, it was certainly the “Best of” the year so I guess it’s about time…

On September the 10th the Derry musical family assembled at Sandino’s bar for the “Music For Free Movement” concert, part of the positive public response to the distress suffered by refugees fleeing the warring factions of the Middle East. It was not difficult for co-promoters Kevin Magee & Rion McCartney to fill the bill, many musicians in the area wanted to contribute to the evening. The hard part was stage managing the night to give as much time as possible to each act. Two stages featured over 5 hours of continuous music & it was not easy to catch all the great talent from the city showing out for a very good cause. I did my best.

 

It’s been over 25 years since I worked alongside & played out with a fine group of men from Ireland. 3 of them were in a band & I travelled around the country with Bam Bam & the Calling not only to see that they didn’t get lost but because they made great music. This new-fangled e-world put me back in touch with 2 of the guys & wonderfully the group was intact, back in Derry, still making their terrific racket. Bassist Joe Brown plays with a new crew, the Gatefolds. I was able to see their live clips, receive their CDs & help to spread the word by way of this blog. An opportunity to see both the Gatefolds & Bam Bam play on the same night was too good to miss. It was time to plan my first visit to Northern Ireland.

 

From home to Derry took almost 10 hours, a cab, a train, a bus, a plane then a bus ride from Belfast across some rather green & pleasant land. The gang at Cool Discs, an aptly-named record shop, provided a welcome & a place to put myself on solid ground. Kevin Magee took time from a very busy schedule to point me right (a shout to the Cafe del Mondo) in the Walled City. A long day was surely leading to a long night. Sightseeing could wait, it was the music that had brought me here.

 

First up at Sandino’s was Lost Avenue, the youngest band of the night. Derry’s rock tradition has the clang & clash of loud guitars & these guys fit right in. They deserved a bigger crowd & get them for their own gigs as their reputation grows. More great music followed while the venue, a classic Irish ballroom (easy access to alcohol is a clue) with a traditional rock & roll sticky floor, filled up with faces from my Facebook feed. Bernard & I had already bonded over our similar tastes in music & football. Jim Cunningham, the documentarist of Derry music, arrived with his camera. Jeanette & Ruairi are as delightful as I knew they would be. Later their band, Lady J, would absolutely rock this joint. Everybody was so welcoming (not always the case  for me !), I don’t get around as much as I used to but I know that this must be the place when I’m in the middle of good people & good music.

 

 

gatefolds2So here are the Gatefolds, right onstage in front of me. Drummer Sean & guitarist Fergal were, until tonight, e-friends, singer-guitarist Jason & I had never met before & that didn’t matter. There’s my old mucker Joe on bass & I’m watching him doing what he does for the first time in over 25 years. The Gatefolds know that increased volume isn’t the only way to have an effect. Their spiky, still melodic, riffs insinuate themselves rather than batter you. The pop-psych guitar wash builds beautifully, there are times when I could happily listen to them stretch these songs for as long as they are inclined. I had seen the clips, have the few songs the band have recorded, this was better. In the last week the Gatefolds played to their largest audience yet while supporting the Undertones & I have received a new CD single. 2016 looks like being a good year for them.

 

I took a breather, caught an acoustic set by the Wood Burning Savages, a group I’ve known about for some time & a fine one. Sandinos was packed with shiny happy folk, some of them curious about a stranger’s story. Man, I like to talk but I was 18 hours into my day & the headline act, the reason I was out of my bed so early & had travelled so far to see were about to hit the main stage.

 

 

setlistBam Bam & the Calling have played together for over 30 years now. The same line-up. Tonight a family illness had prevented guitarist John McLuskey from attending but Paul, Joe & Tom, ably assisted by Paul’s brother Rion, were still there. It’s more than longevity that has established their reputation as Derry music legends. Paul Pj Mc Cartney has some great songs & is a charismatic front man. Drummer Tom Docherty is just a machine, I think that I had forgotten just how good he is. What I had not forgotten, what had first attracted me to the band & what was still there was the unit’s commitment to playing with passion & energy because that’s why they did it in the first place. The old songs were a blast, the newer ones just as good. The set whizzed by too quickly, my central nervous system overloaded with endorphins producing the widest smile in the hall. I wanted more but I’m greedy. I had waited long enough to hear this, I could wait for the next time. My long day had been worth every minute.

 

Over £3000 was raised for people unfortunate to have been caught in a war & lucky enough to escape to the Greek island of Lesvos…good work. On my long weekend I reminisced, caught up with & spoke about Life with my 3 old friends. I made new friends too. Joe’s wife Gayle fed me, always a good thing. Fergal was already in every bar I entered. The hospitality shown by Kevin & Alison, who invited a strange man into their home, will never be forgotten (nor will Ali’s carrot cake). Good people, great old & new times. It was the music that brought us & kept us together over all this time. You have got to love that !

 

derry

From the L to the R : the author, Paul Bam Bam, Kevin Magee, Joe Bam Bam.

 

 

 

 

 

 

 

 

 

 

That Girl Can Sing ! (Lady J)

Last Summer loosehandlebars was delighted to mark the marriage of 2 much loved members of the Derry music community.  ” One of the best wedding receptions ever combined with one of the best rock ‘n roll shows ever” reported our special correspondent & the photos of the smiling gathering confirmed this. The snaps of Ruairi O’Doherty & Jeanette Hutton, still in her wedding dress, performing together on their happy day were the most charming thing I saw all year. This morning the Summer of 2015 was brightened when the postman called with a surprise package containing the debut LP by their group Lady J (with a personal message from the Lady herself….Get me !). It starts like this…Turn It Up !

 

 

It’s OK, you can come out from behind the sofa now. Well maybe not, Lady J make a fierce noise & the album doesn’t take a breath until track 6, “Girl With A Mojito”. The sound is based on a rock solid foundation of a rhythm section of Ruairi (drums) & David Doherty (bass). You would expect no less that a Derry band would get the guitars right & Marty McGill takes it easy on the solos, favouring a more dense, dramatic sound wash. Then there’s the singer. In my e-dealings with Ms Hutton she has never been less than civil (I might go so far as saying she is very sweet). Holy Moly ! Give the woman a microphone & she is a force of nature. “The Creeper” opens the album & is followed by this cracker.

 

 

The lyrics for all 11 songs are written by Jeanette & of course she sings it like she means it. There’s a power & a control which is very effective. No faux-soul shrieking, no reliance on over-enunciation as a substitute for emotion. She reminds me of Maggie Bell, the talented Scottish vocalist from Stone the Crows, another singer with a gift, with control & who rocked. Arrangements are by the band & it’s a big old noise which never runs to the tried & tested, stays tight & never overstays its welcome. The barrage of sound which ends “Take Me Home” is doing it for me right now.

 

At the moment the Lady J LP is only available at Cool Discs in Derry. The staff, I hear, are a bit rough & ready, but I’m sure that they will steer you right. Later this month there will be an online release so head over to the band’s F-book page for all the necessaries.  I know that Jeanette Hutton has been singing around Derry for longer than a gentleman like myself should point out. I also know that this album has been a long held ambition & that she wanted to do it right. Well, she’s happy with it & so she should be. It’s a pleasure to have my copy at hand & let’s hope plenty of other people get to feel the same way.

 

 

 

 

 

 

Friday Night Dressed To Kill, At Sandinos Bar And Grill (The Gatefolds)

It’s been a busy Easter weekend for the Gatefolds, our preferred purveyors of rhythm & melody from Derry in Northern Ireland. It was the birthdays of both drummer Sean & guitarist Fergal so our best wishes are sent to both of them as they sit alone in a darkened room wondering how time can pass so quickly. Sorry…that should have read, surrounded by their friends & family celebrating the joyous occasion. The birthday boys were joined by bassist Joe & Jason, guitar/vocals, to take their place on the bill of “The Long Good Friday” at Sandinos bar, the now traditional opener to the long Bank Holiday weekend. Here is how it looked & sounded…

 

 

Short & sweet, “Temporary” is a new song from the ‘Folds. I’ve noted before that the band continue the tradition of fine, noisy guitar bands from Derry. There’s a crackling energy about this, straight ahead & no-nonsense but still a fine mix of head & heart. Anything that reminds anybody of early R.E.M. is a good thing. Let’s hope that the Gatefolds play regularly this summer because there’s more to be found in their songs. “The Decorator”, half of their last double A-side single, which you can have for your very own by visiting Bandcamp, is, as you can hear, coming along very nicely.

 

 

The previous weekend had marked the 50th birthday of Paul Pj McCartney & the great & good gathered to mark this milestone. Paul has been an influential part of the Derry music scene for the majority of that half century. The night would not have been complete without a performance from Bam Bam & the Calling, the band which has played & stayed together for 30 years now. The other 3 members, Joe Brown (bass), John McCloskey (guitar) & Tom Doherty (drums), had rehearsed without Paul for this special, surprise gig but all 4 know how the Bam Bam sound goes, how exhilarating & exciting music should be. The band were joined onstage by Raymond Gorman off of The Everlasting Yeah, an original Bam Bammer, for a set of Greatest Hits & covers of the Velvet Underground, Television, Plastic Bertrand…all the greats.

 

 

This set is 40 minutes long & you are all busy people. Seriously just dig into any part of this clip (Raymond plays at the end) & you will find proper, raucous rock & roll played by men who remember the reasons why they started this way back when. They are all making their contribution to this great noise. It’s good to see Tom out of the house & to be reminded that he is some kind of drummer. I have spent some of my most enjoyable musical days in the company of these guys, their performances endorsing that they absolutely walk it like they talk it. Paul still has the sharpest ears around, excavating treasures from then & now for our consideration. Big congratulations on his landmark birthday. We have been friends for a long time & long may this connection continue.

 

 

On The Town (The Gatefolds Playing Out)

There has been so much football in my TV over the past 2 (or is it 3 ?) weeks that I have let a couple of things slide here at loosehandlebars. I must take advantage of  the 48 hour ceasefire to put one thing right because there is new music around from the Gatefolds, our favourite Derry guitar wranglers & it belongs right here with all their other great tunes. A couple of weeks ago (or was it 3 ?) the band gigged in support of Sean Mason’s fine group the Benjamin Chapter. I knew that there was some fresh material around & we are lucky that the archivist of the Derry music scene, Jim Cunningham, was at Sandinos bar to point his camera at the Gatefolds to put us on to the new good stuff.

First up it’s “Latchico Saddle” with a touch of early R.E.M. about the cascading guitars (never a bad thing). This band keeps the faith with the Derry guitar band tradition of making a fine, melodic clatter when you get on-stage. I know that half of the Gatefolds spend too much time listening to esoteric psychedelic soundscapes & I often expect the new songs to be 4-hour technicolour dream, brain melting space odysseys. I love that the guys’ inner-garage band wins out, that they keep it short & very sweet. People go to a bar to be entertained by the band. Hold the self-indulgent ” I have suffered for my art now it’s your turn” for the moment.

A latchico can be a term used for any ne’er do well or chancer. Down in Cork the patois of the insult is taken more seriously, the definition is more particular & sophisticated. So, a latchico is a sniffer of the saddles of ladies’ bicycles while their owners attend Mass ! There is, we all know, some strange & twisted stuff here on the Interwebs. For the real deal you have to have to hang out with the aberrant bunch that I call “friends”. Saddle-sniffing indeed !

“The Decorator” has, to my cloth ears, a touch of Television about it & again you will hear no complaint from me. These new songs sound like the real deal & I’m sure the band know that they need to get some good recorded versions made. If there is a new CD (hope so) they should coerce one of Northern Ireland’s most talented young artists (bassist Joe’s son Adam) to supply free artwork. If not then Bandcloud, Soundcamp or wherever the current place to be is (just not Myspace OK). You will hear it here as soon as I do. Meantimes this is all we have & it’s good enough.

gatefoldsThe Gatefolds (left) & the rest of the Derry music fraternity gathered last weekend to celebrate the marriage of Jeanette Hutton & Ruairi O’Doherty off of Little Hooks, 2 great contributors to music in Derry. Jeanette has told me that it was a great day & the smiling faces of the shiny happy people passing across my computer confirms that the evening was enjoyed to the full by all who attended. ” one of the best wedding receptions ever combined with one of the best rock ‘n roll shows ever” said my good friend Paul Pj McCartney, off of Bam Bam & the Calling. Paul was seen throwing some fine shapes on the dancefloor & I have the incriminating photographic evidence. jeanette

There are also some lovely snaps of the very happy couple  & this one has been making me smile all this week. Of course they also performed at their reception & the photograph of the bride in all her finery with her electric guitar is a wonder if a little blurred. We wish all the love & the luck to Jeanette & Ruairi, in their life together & for their band Lady J who, I am sure, will be included in further bulletins about the music from Derry.

jeanette2

A Long Good Easter (The Gatefolds and Jim C)

Oh yes, our favourite psyche-pop noise garagists, the Gatefolds, are back. They played their first gig for a while over Easter. The Derry quartet were again part of “The Long Good Friday”, a get-together at local joint Sandino’s on…erm, Good Friday. I had been promised new songs by the band & here is that very thing. “Opentight” shows that rehearsal time at Woodbrook Studios (OK…in drummer Sean’s garage) has been well spent. There are 4 new clips on the Y-tube from the Gatefolds’ set which highlight the solid & sweaty rhythm section alongside a little more contrast, chiaroscuro (come on !) in the guitar interplay of Jason & Fergal. I am loving it.

Now I am over 250 miles away from Sandino’s. It is thanks to the archivist of the Derry music scene, Jim Cunningham, that I am able to see & hear my friends. Jim’s pursuit of what is obviously his passion means that he was getting busy with both his regular & video cameras. I know that a fine Bank Holiday crowd showed out for the gig because there is an album of a gang of shiny happy people enjoying the first day of a long weekend. I also know that the calls for an encore were loudest from Gayle, Foldette #1, who is lucky enough to be the partner of bassist Joe Brown. Nothing escapes the discerning eye of Mr Cunningham.

The other new song is “Smoking Pockets”, the set’s closer but, as the head honcho around here, I get to decide that we will get back to that one. It’s a considered opinion because “Volts & Watts” has come on a treat since I last heard it played. It’s a tune that people say good things about & now it is proper rocking, a grab-your-attention opener which has gotten tighter with time spent on it without becoming too smooth.  I understand the guys are hoping to produce a DIY single this year. I’ve been down to my local bookies (Paddy Power, of course) & put a few shillings on “Volts & Watts” being featured on this anticipated artifact. One day I will get it together & be stood next to Jim while he films.

It was a crowded musical weekend in Derry. The next day, Saturday, was World Record Store Day & my new friend Kevin Magee, a man of discernment, proprietor of the optimistically named Cool Discs (we will be the judge of that Kevin) was peddling his packets of Class A vinyl. There was live music playing & fun for all the family. Maybe every Saturday should be a record store day. In the evening Kevin promoted a concert in Derry’s Guildhall, a rather grand Victorian building which has had its share of history inflicted upon it over the years. Of course Jim was there to record the occasion. This is the Woodburning Savages, in front of the magnificent pipe organ, with “Living Hell”. As Mr Magee would say, “Lethal !”

That looks like a great night. Those British City Halls, expressions of municipal grandeur & civic pride, were around before rock & roll was invented & now provide a classy setting for any band. How about those Woodburning Savages…cooking with gas !

There was more to come in a packed musical weekend. On Easter Monday Jim used his season ticket at Sandinos to document Conor McAteer’s gig. He probably made some moving pictures too, give the man a break, he’s been busy. There are now over 200 videos on Jim Cunningham’s Y-tube channel. You are all capable of finding your own way there but you can also click this. Jim has produced a serious video & photographic archive of the contemporary Derry music scene. Someone should get hold of it, make it nice & put it in a safe place because it is a repository of fine memories for a generation of Derry people.

I have just found out that today is, in fact, Jim’s birthday. So have a great day Jim & know that that thing you do is appreciated by musicians & audiences alike. Nice work fella… keep on keeping on.

 

Original Artyfacts From Post Punk Derry ( The Bam Bam and the Calling Archive)

It’s been too long since I have had either the cause or the opportunity to write about my old & good friends Bam Bam & the Calling. Someone has been getting busy tidying up their attic & has stumbled upon a dusty box labelled “BB&tC: Odds & Sods”. Back in the day this consanguine cassette collection would have entertained the finder & a small circle of friends. In our Age of E-Wonders, a whiff of techknowledge, a pinch of electrickery & these freshly  relocated artefacts are available on the WWW as a free download in the form of one of those neat Soundcloud graph things. Here’s one now. Just click on the arrow because “Kitchen Dogs” really is a cracker & not to be missed.

Bam Bam & the Calling are part of a triumvirate of bands from Derry in Northern Ireland who not only shared personnel but also a belief that energy & loud guitars were requisites for good rock music. The Undertones made records that we all know (& hopefully love). If you do not know the work of That Petrol Emotion then do yourself a proper favour. You could start with an entertaining, honest interview ( music included) with Raymond Gorman, guitarist with The Everlasting Yeah & a former member of TPE. Raymond served his musical apprenticeship in Bam Bam & the Calling . He had this to say about those good times…”Bam Bam are still active, they play in Derry periodically and are still great too. I was in the second incarnation which was like Adam And The Ants meets The Clash/Bunnymen, I think we actually didn’t realise or weren’t fully aware of how great we were at the time. I felt more like a rock star playing in Bam Bam than I ever did in the Petrols. It’s a crying shame and the biggest regret of my life is that we never recorded with that line-up. We made it onto N.I. TV for 30 seconds once but no-one seems to have the video anymore. Great days. Very fond memories”.

Wow ! Adam & the Ants, the Clash & the Bunnymen all at the same time, that’s a busy & crowded stage. “Kitchen Dogs” is from 1986, just before the Bam Bams left Derry intending to show London what’s what. The band needed little encouragement to accelerate the song’s original tempo. Those teenage licks have got to make you catch your breath.  Paul, Joe, John & Tom were still on the Bunnymen, still are, always will be. It’s too late to stop now.

Photo: 1987, LondonHere’s another one from 1986. Dave Fanning is a stalwart of Irish music radio, enough respect to be compared with John Peel. For every young Irish band it was a big deal to record a session for Dave. The whole country listened, even I did for a while because British radio, apart from Peelie, was pretty hateful stuff. Apart from 24/7 exposure to Television’s “Marquee Moon”, there was a big appreciation of R.E.M’s “Chronic Town” & those first 2 LPs. “Only Sing” has a lovely Byrdsian clatter . There’s a unity & an enjoyment in the sound…another winner.

I met Bam Bam & the Calling at this time. The music was not making them enough money to cover an outrageous hair product habit. Gravity defying coiffures do not come cheap so a bit of hard construction collar was required. These 2 tracks rejuvenate very good memories of rock & roll adventures & of some great musical nights. It was always a genuine thrill to see my 4 individual friends get on a stage to do that thing they do together so well.

Bam Bam recorded just 2 excellent singles. By the time the “Absurd Song” demo was recorded in 1994 their London expedition was over & the band were back home. For songwriter Paul Pj McCartney there was time for musical experimentation but it’s still rock & roll to me, still a Bam Bam joint & that is a good thing.

Photo: 2012, Derry..that was then, this is now!A man in the know tells me that there are plenty of these tracks to come spanning the 30 year history of the group. I’m looking forward to hearing  & collecting them. All I know is that the music will be the sort that we like…the stuff with a heart full of soul. These nuggets are available at that part of Soundcloud ruled by optimumhold or you can get over to  the Facebook page, press  “like” & your social media will be sounding better already. The price is right…these beauties are being given away…proper music by proper people…you know it makes sense…you’re welcome.

Psychotropic Rockers (The Gatefolds 2014)

We are just a week into the new year & I’m bumping into brand new music already. I am keeping my powder dry on the Sky Ferreira/Ariel Pink collaboration. It may be a sparky glam collision or a 3 day wonder or they may try to make Ms Ferreira go to rehab…we shall see. One thing we can be sure of is that the Gatefolds first gig of 2014,  at Sandinos in Derry last Saturday, was a bloody good night out.

Once again Derry’s devoted documentarist, Jim Cunningham, was in attendance to capture the three bands & the audience. For myself it’s a real buzz to see such recent photographs of friends I have known for 25 years & others who only made contact in 2013. If you have any interest in current Irish music (if an artist comes to Derry, Jim will be pointing a camera at them) then get yourself to Jim’s Y-tube channel  (jcee) which has become an impressive audio-visual anthology of what’s going on in the second city.

“Cupcakes” by our boys certainly helps to shake off any post Winter Festival languor. It’s great to see drummer Sean sitting upright after 10 days passed out on the sofa ! I really do like the ‘Folds’ pop with a punch. It feels like it is a continuation of an established Derry musical timeline. The bam-bam guitars have undertones of a petrol emotion & that is a good thing…you get me.

In 2013 a CD, “Six Strings & Stigma” featured 14 bands from the Derry music scene. Produced & curated by Ruairi O’Doherty the original & varied songs were concerned with mental health & any funds raised supported Northern Irish organizations working in that field. It really is a cracking listen, the Gatefolds contribute a belter, “The Last To Speak” & there is a solid quality throughout. I have a copy, if you would like one for yourself then the Facebook page will point you in the right direction. One of the highlights of “6 Strings” is “Waiting On A Rainbow”, a self-written song by Jeanette Hutton with a lovely Celtic strength & the assured restraint of music more concerned with emotion than with display.

Jeanette (” a gem… one hell of a voice” said a correspondent) has been a fixture on the Derry music scene for some time & on Saturday her new band Lady J played out at Sandinos. Ms Hutton has traded her acoustic guitar for a Telecaster & on “Turn Me Over”, things are looking nothing but good for the band. Providing drums & a most impressive beard for the band is the aforementioned Mr O’Doherty. Jeanette is lucky enough to be marrying Ruairi in the summer so let’s hope that their year is filled with luck, love & music. I like Lady J.

Well all right ! There was big love for “Volts & Watts”, the set closer on Saturday night. Deservedly so…the tune has great attack. I know that at least a couple of the band do have lysergic musical leanings. I’m sometimes surprised (relieved ?…I’m joking) when Fergal & Jason resist the attraction of the space opera & keep it tight because that psychotomimetic thing is certainly hanging around..oh yes.  Our cameraman was probably beating the rush to the bar so this clip is from October when the Gatefolds launched their single on Nervous Pulse Records.

It’s almost a year now since the first tracks by the band turned up on Bandcamp. There has been good music to discover & Mr Cunningham has allowed me to check for the gigs. It’s nothing but a pleasure to hear the new tracks & to help spread the word about the Gatefolds. These 2 tunes need to be sorted & recorded, more live sets to be played. If I made a list of stuff that I look forward to in 2014 (I don’t, I’m not that lame) then hearing from the Gatefolds & the fine musicians in Derry, is up there with 3 points on a Saturday & other good things.

Finally, Joe Brown waves his arms in the air, waves them like he just don’t care. What was he thinking ?

You Got Good Taste. Joe Brown Picks The Hits Of 2013

Well the days fly by. You gotta get involved. When you are caught enjoying a moment of silence & solitude you’re regarded as an oddity for even considering such a waste of time. You know the Earth is rotating at over 1000 m.p.h. Life is quite fast enough for me thank you. It’s inevitable that I miss some of the good stuff. I’m a lucky guy because I have all round top Derry feller, bass player off of the Gatefolds, Joe Brown to gently nudge me towards great music that could otherwise have passed by unnoticed. Here at the loosehandlebars nerve centre we extend a corybantic (oh yes !) welcome to our guest selector & his choice of some of 2013’s finest. Tune in, turn on & drop everything. Take some time out to feed your ears & your head.                      

First up it is Chris Forsyth & the Solar Motel Band with one of the 4 tracks from the “Solar Motel” suite. Back of the net ! A brilliantly fluid psychedelic guitar adventure which takes it time & gives itself permission to stop & smell the flowers along the way. Forsyth has spent time with Richard Lloyd who’s guitar fraternity with Tom Verlaine made “Marquee Moon” one of  the great LPs of our music. Television’s name will be dropped into anything you hear about “Solar Motel” but hold on there muskrat, it is, of course, not as straightforward as that.

Back in 1977 I thought that Television had been listening to the Grateful Dead but, y’know, the Punk Wars were still being fought. The idea that this new classic owed something to a band of hippies was never going to be popular. I kept quiet about the sinuous, sometimes telepathic confederation of Bob Weir & Jerry Garcia. Maybe the Dead are due a resurrection…Hey kids, here’s a tune called “Dark Star”. When you have picked the bones out of that there are 3 or 4 triple live LPs over there. Chris Forsyth has finished with them now.

The Villagers made a big impression on their recent visit to Derry. “(Awayland)” is the difficult 2nd LP. After the brooding one-man band of a debut the Villagers are now a group, with a fuller sound, drum machines, a sampler, 21st century stuff. “Classic Rock” just ain’t as classic as it used to be. The bloodless mediocrity of the likes of Coldplay or the Killers, that ersatz Mumfordian folk nonsense, gives the mainstream a very bad rep. We need confident, original, radio receptive music which looks forward & avoids the obvious. This could be that thing. It helps that Conor J O’Brien writes a more than decent song. It’s the Villagers, “The Bell”.

Now I’m going to butt in here & say that one of the delights of the year has been hearing & (thanks to Jim Cunningham) seeing Joe’s new band. Of course you do what you can to help spread the word about the music your friends make. It is nothing but a pleasure to shout loud about the Gatefolds because I know that I have the good stuff here. If you are near Derry & still solvent on the 4th of January then 2014 is off to a rocking start. This is one of my singles of the year

2013 has been a good year for good music. Brown’s Best includes Bill Callahan’s “Dream River”, the sound of an artist becoming consummate. I’m saving that one for myself. From his hometown there is the Wood Burning Savages & back in January he took a more than passing fancy to Yo La Tengo’s LP “Fade”. The Gatefolds are partial to the abracadabra of well honed psych drone so the final place on the podium is taken by San Francisco’s Wooden Shjips. Their video has nothing to do with the band but at just 5 minutes is creepier than the last 3 movies of M Night Shamalama put together.

Last year Joe put us on to Moon Duo, a side project for the Shjips’ guitarist Ripley Johnson. We get to hear him at his day job here on the title track from the new LP “Back To Land”. This stripped back music tips its hat at some pretty solid influences. There are plenty of bands aiming to get the feel of German rock but this lot know what is what. This time round there is an added injection of the groove which, I find, can never be a bad thing. There’s a bit of this driving motorik guitar music about. The Shjips only get the nod this year because of a disputed offside decision against Parquet Courts. Next year Joe & myself have our money on The Everlasting Yeah doing that thing they do & reclaiming the title belt for Derry city.

Well, that year went at over 1000 m.p.h. Give these tunes a shake & when your friends are impressed tell them that Joe Brown, the bass player off of the Gatefolds, put you on it. He does it for the love of the music not the glory but an acknowledgement would only be polite. OK, a week of 2013 left & a new year of listening starts. Anything could happen & probably will. Let’s hope so.

Moving Towards The Pulsebeat (The Gatefolds)

There was an extra spark about the Gatefolds’ gig on Friday night. The band were playing at Sandinos in Derry to mark the launch of their 2 track CD released on the Nervous Pulse label that very day. There have been tracks available on the Interweb for some time but these new fandangled digital downloads are just not the same as a lovely polycarbonate plastic & aluminium disc with some original artwork in a nice case…no they are not. Just look how happy this fan (a Foldette ?) is to get her hands on the new actual thing by the Gatefolds. Her weekend just got better because, really, this music is bloody great.

 

Nervous Pulse has 3 releases now by Derry musicians.
The label’s by-line is “This Is Not Pop” but Sean Mason, the Berry Gordy Jr of the Pulse operation & I are going to have to differ here. “Overleaf” is, to borrow a phrase from a friend, Pop That Goes Crunch. The track has the hustle & drive of early REM & that’s good. Sean’s production is crisp, clean & loud, 3 more good things. Jason, Sean, Fergal & Joe have all put in a great shift to nail the 2 new songs. “Gloryhunter” is longer, there’s a hint of psych-drone in it’s more considered pacing. The sweet, loud (again), layered guitars just keep on coming. The connection between these 2 sides of the Gatefolds is that they sound like tunes to be played live by a band. An eye, an ear & a nod to the dynamics of a song’s performance can only help.

I’m sure that there are photos, even video clips of Friday’s gig but I really do want to get this posted for the weekend. GC Photographics of Derry took some great shots at a rehearsal, I hope they don’t mind me lifting this one. We have all helped to spread the word when a friend’s band is gigging or recording. I’ve been throwing these tracks around & the news has been nothing but good. It is my pleasure to be Johnny Appleseed for the Gatefolds because this music is the real deal. The tracks are around in both electronic & real form (I’m a luddite…what no wax cylinder ?) from the Nervous Pulse site where you can hear those other releases too.