I really should find the time to watch the film of the Stax-Volt 1967 tour of Europe every week. This recording of the Oslo concert is only an hour long & never fails to delight. Otis Redding defines charisma, the dynamism of Sam & Dave is still startling, Eddie Floyd & Arthur Conley do their thing too. On stage for the whole of the gig is the heartbeat of Stax, 4 musicians who usually stayed in the East McLemore Ave studio in Memphis, creating & playing great music & generally being the best band in the world.
Booker T & the M.G.’s were the opening act & part of the backing band on the tour. They, of course, had to play their 1962 surefire smash “Green Onions”,the tough, irresistible blues instrumental which just everyone knows & which still sounds great 50 years later. The song, written when Booker T was still in high school, is part of the culture. Only this weekend I saw a documentary on Mott the Hoople in which guitarist Mick Ralphs said that he did not play until he heard “Green Onions” & thought that he wanted to have some of that.
The Y-tube says that this clip is “Red Beans & Rice”, a 1965 B-side. It is in fact “Tic-Tac-Toe” a 45 from 1964. It’s not included in the concert film that I know so watching these young, sharp dressed men walk out on to the stage & play this really is, to me, a thing of wonder. It is a cliche that the best groups are greater than the sum of their parts but have those constituents ever been as accomplished & inspired as these 4 musicians ? Man, a tune like this gets played first up & you know you are in for a good night.
This tour was a coming out for the group. It’s disingenuous to claim that fans did not know that the M.G.’s were an integrated combo. While there are very few early photographs, the billing for the tour says “featuring the fantastic guitar of Steve Cropper”. In Europe there was less reason to obscure the group’s racial mix. Damn, it made them cooler still. On the whole the fans were white boys with a love of the very same music that had gotten Cropper & Duck Dunn into this. It was though, the first time that all the musicians on tour had experienced adulation & appreciation on such a scale. It was also, I guess, the first time they could all go to eat or drink together just any place they wanted without checking that the vibe was right & the coast was clear. There was no going back from this, that’s for sure.
So just the next year, 1968, & the group are back in Europe, in, I think, France. One year on & the dress code is a little more relaxed. Duck could use a hair cut & a shave but the looseness of “Booker Loo”, a 6 minute Memphis blues & soul & rhythm stew, is just perfect. Cool cat Booker T, an Indiana U music student during the week while writing “Born A Bad Sign” at the weekend, takes it to church just for a while before Al Jackson Jr brings it back to the dirty boulevard with just a couple of firm strikes. I could listen to Mr Jackson play the drums on every day of my life. Whether it’s the drive of his work with this group or his silkier sessions at the Hi Studios of Willie Mitchell he is always absolutely doing it right. When I get to see him do what he does it gets a little too much & I need a sit down.
This clip, to these ears & eyes is so, so good. Whatever way up you want to look at the music of Booker T & the M.G.’s it is a groove to dance to. The beau monde here are giving it their best moves. I hope they now remember it & know how lucky they were to be there
1970 & the M.G.’s are the support act for the most popular group of the day, Creedence Clearwater Revival. Hmm…ever get the feeling you were in the wrong place at the wrong time. What a gig ! The headline act look on from the side of the stage, they do not want to miss “Time Is Tight”. This worldwide hit is from the movie “Uptight”, a crime drama made a year before “blaxploitation” & soul soundtracks became the current thing. There’s a tense logic to the progression of the song, an effortless restraint which gives it a clarity which the more ornate instrumentalists of the day kind of ignored. “Time Is Tight”…I think that the word is “cohesion”. Creedence liked to keep it simple too. In 1970, looking to enhance their bayou blues-rock their LP “Pendulum” made extensive use of a Hammond organ. That’s why John Fogarty has a close eye on Booker T in this clip.
By this time there was, just as there had been at Motown, the realization that while making music was fun maybe it was time to get paid. Despite being under contract Booker T upped & moved to California. Steve followed suit, starting his own studio in Memphis before, eventually leaving for the West Coast. Duck & Jackson stayed on, in 1975 the 3 of them were playing together & making plans. The unfortunate murder of “the greatest drummer to ever walk the earth,” (Steve Cropper) closed this particular chapter of our music’s story. Now Booker T, a man with little to prove to anyone, gets to play with whoever he chooses while Cropper & Dunn are beloved Blues Brothers. We have those wonderful instrumental records made by ambitious, confident & talented young men. I look around for the best available clips for these things I do. These 3 are all music of the highest quality. Right I’m away to throw some shapes to “Booker Loo”.