I’ve not seen too many memorable movies this year, maybe I’ve not been looking hard enough or maybe I’m satisfied by repeated viewings of “Free Fire”, Ben Wheatley’s spirited shoot-em-up which continues to hit the spot every time. Sunday night’s viewing was “Galveston”, a thriller based on a novel by Nick Pizzolato the creator/writer of the TV series “True Detective”. Series 1 of TD with Woody Harrelson & Matthew McConaughey was so damn good that Nick P gets a pass for the disappointment of series 2 (one more detective didn’t make it 50% better). Good thing too because “Galveston” is a blast, here’s the trailer.
We all know that Ben Foster, after a star turn in “Hell or High Water” (2016) & a cameo in last year’s “Hostiles” is the man for the job when a criminal with more than a touch of weltschmerz is required. He’s Roy Cady, an enforcer for a New Orleans sleazebag (Beau Bridges), who rescues Rocky, a teenage hooker, while killing some guys who would rather be killing him. Their road trip to Texas is anxious, grim, violent & very affecting, complicated by Roy’s conscience, Rocky’s naivety & a 3-year old sister in tow. Foster is rough & not always ready for the what comes his way & he really is a very good actor. Rocky is played by Elle Fanning who does make a lot of films. This year there has already been the awful “How to Talk to Girls at Parties” & the acceptable “I Think We’re Alone Now”. I’m not complaining, the combination of her beauty & her youthfulness make for an individual screen presence. Her damaged doxie will, like her role in 2016’s “The Neon Demon”, endure when she has outgrown her girlishness & is in competition for parts with her big sister Dakota.
Pizzaloto, unused to the reduced role of a screenwriter, uses a pseudonym in the credits. His chosen nom de plume, Jim Hammett, surely a tip of the fedora to Thompson & Dashiell whose noirish pulp fiction the film wishes to emulate. The director is Melanie Laurent, the French actor best known for being Shosanna in QT’s “Inglourious Basterds”. Her taste & restraint in the story telling avoids the easy cliches which films that aspire to be Film Noir often fall back on., Her empathy with actors has produced two fine performances. Foster is Bogart tough, he’s someone I want to see more of & if Elle Fanning, just 20 years old, continues to improve as an actor then she will be special. The scene where she is quietly singing Big Star’s “Thirteen” (played over the closing credits) to herself is very cool, memorable & perfect. When “Galveston” ends you need a bit of quiet to think about what you have just watched. I can’t say the same about many of the films I have seen this year.