It’s not even the middle of the month but this can’t wait. In March my head was more than turned, it was spun around, by 3 new LPs all of which made it into my collection & will be played for a long time. This week it’s been 3 individual tracks, clear, crisp, just 3 and a bit minutes each, that have been doing the trick. I’m not sure that any new lovely 7″ vinyl discs are still being manufactured, there’s probably not a radio station that’s going to pick up on these very same songs so I’m going to put them somewhere where I can easily find them & I can play them to my heart’s & ears’ content. That would be here then…
This is, for me, genuinely exciting. It’s been 20 years since the last new music from Peter Perrett. “Woke Up Sticky” (1996) was released as P.P & the One & that came 16 years after the last studio LP from his group the Only Ones. Peter’s affection for serious drugs is well chronicled & has hindered continuity in his musical creativity. It is a measure of just how good he can be that 39 years after we first heard “Another Girl, Another Planet”, the one song of his you all know, we are still enthusiastic to listen to any music he wants to make. In those uncertain, monochromatic, early-Thatcherite years when the 1970’s became the 1980’s the Clash provided political idealism & calls for unity while the Only Ones soundtracked a cogent, more personal reaction, acerbic cynicism leavened by heart & humour. “Why Don’t You Kill Yourself”, that was meant to be funny.
“How the West Was Won” is recognisably Perrettian, verse, chorus & a blazing guitar solo. A slow “Sweet Jane”/”If Not For You” riff, the Velvets & Dylan, classic Rock influences. The lyrics are a forthright, caustic condemnation of the Evil Empire, the verse in praise of a Kardashian rear-end seems a little incongruous but it’s making me laugh. There was a planned LP when the Only Ones reunited in 2008 but steroid use for a lung condition led to Peter’s voice developing a helium-tinge & it never happened. It’s great to hear him sounding so much stronger. This is the title track from a new LP, backed by his sons Jamie (guitar) & Peter Jr (bass), produced by Chris Kimsey whose long CV includes co-credit on many Rolling Stones records. 10 new songs to come, it’s gonna be good. Domino Records, 30th June 2017, say hello if you see me in the queue.
A new track from Jason Isbell will always cause a stir round our yard too. It’s a taster for “The Nashville Sound”, a new LP due to surface on June 16th (man, I’m going to have to save my pennies!). “Southeastern” (2013) & “Something More Than Free” (2015) deservedly placed Jason at the forefront of American singer-songwriters after over a decade of honing his craft with Drive-By Truckers & on 3 earlier solo records. The blend of Country, Blues & Soul influences is perfectly balanced. His getting clean, his marriage to Amanda Shires, gave him great material & his skill at translating the personal into something sympathetic & more universal made for 2 great records. Jason’s doing well, he gets awards, he’s playing bigger halls. I know people who like this kind of thing but don’t know this music, he should be flipping massive !
So, if I’m going to listen to anyone sing about Trump America then it’s Isbell. “Hope the High Road” is no call to arms, more an acknowledgement that many people are feeling pretty pissed about the way it went down in 2016, that “there can’t be more of them than us” & well, let’s hope things get better. I’m reminded of the anthems Springsteen & Jackson Browne used to write & if “Hope…” lacks the authority of those then these are different, less certain times. The new record is credited to Jason Isbell & the 400 Unit, his touring band who have all played on the last 4 LPs. Maybe, as he says, “I’ve sung enough about myself”, Jason is smart enough to know that relying on autobiographical lyrics for a third time could be one too far. The postman brought me tickets for his Autumn tour today so c’mon, let’s get Summer over & done with !
OK, after a couple of artists I have followed for some time here’s something that I was only recently put on to. Ette’s “Attack of the Glam Soul Cheerleaders (Part 1 & 2), (how could I resist that title ?) is from last summer’s “Homemade Lemonade”, a collaboration between Carla Easton & Joe Kane. “Attack…”‘s bustle, brio & catchiness (I’m still on a Pop poetess Shirley Ellis kick at the moment) brought to mind the early records of the Go Team & I liked that. 2016 was a busy year for Carla, her band TeenCanteen released their debut LP “Say It All With A Kiss”. Just one look at the 4-piece group’s videos that’s all it took.
TeenCanteen have been around Glasgow since 2012. Carla’s voice is strong, individual & her songs are equally impressive. Their C86 lo-fi indie take on the Wall of Sound has echoes of the classic girl-group sound (Oh yeah, the 4 members of TC are all female) & the retro/modern balance is just right. They have a Sunshine Pop charm & you can never have too much of that. “Millions”, with its crying that is so Shangri-Las, is in the shops on the 22nd of April, part of a 4 track EP “Sirens”. In a parallel universe where the attraction of a 3 minute blast of pure pop music has not been diminished “Millions” would be the follow up to 2 or 3 big hit records (here’s one of them, “How We Met (Cherry Pie)“) & I wouldn’t have to carry on about just how good they are.