A recent article in the New York Times, “Why Music Makes Our Brain Sing”, was an attempt to explain our reaction to music in terms of neuroscience. There was a load of dopamine flooding the striatum blah blah. Yeah, “Mr Zoot Horn Rollo, hit that long, leaning note & make it float”. I am a music obsessive, I know what I like & I like what I bloody well know. You can take an auditory cortex, any expectations based on our stored musical representations & shove ‘em.
All I know is that this is aural perfection. Don’t know why, don’t care, it just is. Awopbopaloobopalopbamboom !
This is the newest & the best Y-tube version of “I’m Your Puppet” by Dan Penn & Spooner Oldham, the guys what wrote it. In 1966 James & Bobby Purify hit with the song. Dan & Spooner, confident that this music thing just might work, left Alabama for American Studios in Memphis where they became involved in a period of extraordinary creativity & success. I was seeing the names Holland, Dozier, Holland on all of those Motown records, finding out that Steve Cropper & the M.G.s were playing on all the Stax hits & I was checking the name Penn on the credits of a lot of good tunes. “Out of Left Field”, the B-side of “Judy In Disguise”, that was one.
Dan always thought that the hit version of “Puppet” was a little fast & this take on the song harks back to the 1965 original. Allmusic identifies a weary resignation in this later version which just ain’t there. It’s a middle-aged interpretation, taking it’s time to appreciate the good stuff, not coming & going in a heaving rush…you get me ?
Another slice of Paradise. I believe that this clip is possibly a high point of Western civilization…seriously. Dan Penn wrote “Do Right Woman” & “Dark End of the Street”, 2 dead-stone, all-time, Hall of Fame classics with Chips Moman, the owner of American Sound Studios. Atlantic Records wanted to break Aretha out of the R&B charts & added some Memphis/Muscle Shoals magic to an already formidable talent. “Do Right Woman, Do Right Man” is a modern manifesto for women along with the “R-E-S-P-E-C-T”. When Gram Parsons, another outstanding voice, recorded the song as a country waltz it was no less distinctive both as a tune & for being sung by a man.
“Do Right Man” was the title of Penn’s 1994 solo LP, his first for 20 years. I love the 1973 “Nobody’s Fool” but the hits are on “Do Right”. There’s a simplicity about these songs which seems effortless but you know it isn’t. There’s a lyrical maturity & there is Soul. He started to perform his great songs in concert & I was lucky to see him in London in 1994. An unassuming man, dressed a little incongruously in farm dungarees, he had no choice but to accept the gratitude of a large audience who considered him to be a legend.
The ideal accompaniment to a long Summer evening when business has been taken care of & a man can sit a while, smoke, whittle, scratch or just watch the light fade. All of these or any combination thereof is acceptable. Casual Records, a British label founded by the estimable D.J. Ross Allen, released a couple of compilations called “Country Got Soul” in 2003. Whether the tracks were country, soul or a hybrid is of no consequence, they are great collections. In 2005 some of those surviving artists gathered at Dan Penn’s basement studio in Nashville & recorded “Testifying” as the Country Soul Revue.
Spooner showed out, Donnie Fritts too. Bonnie Bramlett was still singing & Tony Joe White reminded us how good he was.It’s a good old boys (& girl) Buena Vista thing & “Sapelo” by Larry Jon Wilson is a stand out piece of glorious Southern Gothic. This was my introduction to Larry Jon, the singer who ‘could break your heart with a voice like a cannonball’. I have no idea what & when “Oglethorpe Time” is but it sounds great. So does “Testifying”, warm., intimate music produced by artists happy to have been doing what they’re doing for quite some time.